Welcome to my blog where ALL THINGS CREATIVE are born. I hope you enjoy all the photographs and ideas as much as I have had creating them. I always love comments and hearing what you think. I hope you will leave feeling a bit more creative than when you came. Enjoy!

2.11.2010

A New Perspective…On Life

Scott black and white feet_edited-1 blog

ISO 250 f/2.2 ss 1/125 shot with 50mm

Feeling.

Yes, lots of feeling right now.

This picture is the last shot I took a couple days ago. I loved it the minute I took it. I could feel it when I snapped the shutter. A fresh new perspective. Down on the floor, rolling around, laughing and playing with Scott. Seeing what  life from his view is like.

New discoveries. Uncluttered. Unencumbered with deadlines and busyness. No calendar to check. No where to be, but here. The simple life. Just being you. Dirty feet from hard play and the gentle ease of being free to roam wherever these little feet could take you.

Now, the feelings I get when I look at this picture are far more intense than I had expected when I took it. My goal was to feel more…and that I am. Four hours after these sweet little feet landed upon this picture, Scott had a seizure. The first of many that would continue for the next two hours. These feet that once were strong and playful, totting happily across my kitchen floor, squirming with each tickle….These same feet now struggle to find their footing. Struggle to relax. Struggle to have the strength enough to move where he wants them to. Struggle to be free.

With all the unanswered questions, the disbelief, the hope that I will just wake up from this nightmare- feeling is about all I can do. Feeling like I wish he would just be better, feeling that I wish I could make his pain go away, feeling like I want him to just run and play again, feeling like I need to be strong.

Yes, feeling.

And knowing that there is One that has felt. He felt every pain poor Scott is now having to feel, and He is the one that can give us strength when we need it.

My journey to feel has begun. Though different than I had planned, I am feeling these pictures with new eyes, and a new perspective on life.

2.09.2010

Little Boy

 

Ben climbing stairs blog

ISO 100 f/4 ss 1/320 shot with 35mm

This is a shot a took months ago of my best friend’s little boy. To help myself grow, here are a few things I have been thinking as I have evaluated this picture. Remember, I am trying to work on the feeling. Even though I may mention some technical stuff, I am trying to see how that effects the overall feeling of the picture. Any things you see, I would love to hear. Maybe it’s creating a  feeling that I hadn’t thought of.

Things I liked:

  • The deeper contrast. A much darker black and white conversion than I normally do, and I like it.
  • The angle I shot it at
  • Burned edges to draw focus on where he was walking. (Editing can very much help create the feeling you are going for)
  • It captured his independence
  • Rule of thirds. Placing him in the top third gives room for all the stairs. The long journey up the stairs for him is just as important as finally getting there. So true for us all.

Things I could have done different:

  • Let him walk up these stairs at the very beginning. It could have saved us a lots of tears later=)Part of finding my style has to do with finding my shooting style. I think comfort level (mine and those I photograph) is key to getting the good shots, that’s why I even mentioned this one.
  • Shot from the top of the stairs looking down at him accentuating his smallness
  • Shot from the angle of the wall, following the top of the wall, having it lead to him

The feeling I was going for:

I hope by the end f the year I won’t have to list this one, but for now I am going to. I want to see if what I was going for was working. If I write it down I will be able to process better.

I was going for the feeling of his growing independence. At two he is still so little-still learning how to be really steady when walking up stairs, but wanting so bad to just be free. He is still learning about life with the loving help of his parents and big sister, but just has to try things on his own. I think I captured it okay. By being at the bottom of the stairs it makes him seem bigger than he is-that’s good. If I would have shot from the top, it would have accentuated his tiny little boyness in sharp contrast to the large stairs-that would have been good too. If I would have shot from the angle of the arm rail it would have caught his hand in sharp focus, showing his little still–chubby-hands; proof that as independent as he wants to be, he still hasn’t lost that baby look yet.

2.08.2010

A Year of Finding the Feeling

Years ago, I was happy snapping away with my trusty point and shoot camera capturing all those little milestones of my young kids. After my third child was born, I was determined to take better pictures. I wanted more, I just didn’t know what. Before my fourth entered the world I obtained my first SLR camera. I didn’t take it off of auto much, but I was sure it was the key to my success. I had one goal, to take pictures with a blurry background. I didn’t know what they called that, but it looked cool. It was what set professional looking pictures from just snapshots in my mind. With that goal in mind, I shot away. I read my manual, got online to read, and slowly..very slowly my pictures started to get better.

I finally switched my camera off of auto and ventured into the world of manual. I felt like I had taken two steps backwards for every step forward. I was frustrated, but slowly getting it. My pictures got that blurry background I had started out to have, but still there was something missing. I had these great pictures in my mind that I just couldn’t seem to execute.

One night while reading on one of my favorite photography websites, I came across a photographer that I had long sense admired. I went to her personal website, and was in awe. I sat looking at picture after picture crying. This was what I wanted to capture. This was what I could see in my mind, but couldn’t seem to express through my lens. There was feeling.

I can remember the exact picture that was the kicker. It was a shot of a young boy about Austin’s age, with a cape proudly tied around his neck, sword in hand, trudging off through a field determined to live life. He wasn’t looking straight at the camera, he didn’t have a perfect smile on, in fact you couldn’t even see most of his face…but there was feeling. I sat looking at that picture feeling like that was my boy. That was how I wanted to remember him. With his shorts and cowboy boots on, being a little boy, playing with all the little boy vigor he had in him. That was what I wanted. To capture those moments that I never wanted to forget.

And so, my journey continued. I realized that to get that I was going to have to work hard. Very hard. I couldn’t expect to get those results with luck alone. I needed to really know how to use my camera. After almost 4 years of doing just that, I can finally say that I know my camera. I know the basics. I am confident to say, I know more than the basics, but lately I feel like I am back at square one.

I feel like I have hit a plateau of sorts. My pictures seem to all look the same to me. They lack something, I just can’t seem to put my finger on what it is. After months of pondering, it occurred to me that for a while I have been so concerned with making sure that each picture was technical right, (was the focus where I wanted it to be, was the lighting how I wanted it, was the shot framed right) that I haven’t given myself the room to grow outside of that.

I can now see that the technical part of my journey is ending, though there is always more to learn-that journey will never really end, and that the journey to find my creativity needs to begin. I need to find me. I feel like I need to go back to why I wanted to make beautiful  photographs  in the first place. In hopes of finding that, I have been asking myself these questions:

Who or what do I enjoy taking pictures of?

What do I like about my personal style right now?

What do I wish my pictures had that they lack?

Are there technical areas that are holding me back?

What are consistent mistake I see with my pictures?

Is there something my pictures have that make them “mine”? Could someone look at one of my pictures and say, “That’s a Monae.”

What are things I consistently do when planning a shot?

Do I hesitate to capture a moment because the lighting (or setting, or angle,etc.) is not “right” ?

Do I shoot enough?

When is the last time I was excited to download my pictures and see what was there? Why was I so excited?

Are my pictures predictable? Am I okay with that?

Do I lack the equipment to achieve my goals?

If I were to go blind today, what would I long to see a picture of? Do I know how to capture that?

The biggest question that I already knew the answer to was, “Do my pictures lack feeling?”  Yes.

That’s what I want. Feeling. I want to look at a photograph that I have created and not have to say a word. The picture will speak for itself. It will tell the story. It will make those who see it….  feel it. That is my goal this year. It is my year of finding the feeling. It’s my year to find myself as a photographer.

I am planning on taking pictures more often. I would like to say everyday..and I will for my own family snap shot pictures that document the traditions, and vacations, and events that make up our life. For this journey though, I will just say more often, ..and then I will post them here. I will critique them in hopes of nailing down what I need to work on. My hope is that by the end of the year I will have been able to see my pictures, my style, evolve. At first I think that I might get frustrated that the change isn’t there, but this is a journey. My journey. My year to find the feeling.

8.21.2009

Brooke at Callaway

It is becoming a tradition it seems for me to have a black and white picture of Brooke at Callaway at the end of each summer. Here is this summer’s  shot with my 35mmBrooke face callaway black and white blog

ISO 100 f 2.8 ss 1/500

To even out last years more moodier picture of Brooke, this one shows the sweet side of my Brooke. She has become a great swimmer this year, and I love the story this picture tells. To me it shows her more tender side, yet her confidence in her new found skills. It’s a perfect picture to end out the summer.

My ss were high enough that I definitely could have closed down my aperture (smaller hole, larger number), but I kept it open to make sure that the sand behind her would be blurry. I have lots of pictures from that day with her playing in the sand, but this one I wanted focused just on her face. For the most part this picture has a lot of light and midtone colors, not many darks. The darks it has though are in the right spots that it makes the picture work.

They are in her dark hair drawing focus to her goggles (again telling the story), her eyes (leading your eye down the picture), and then the end strands of her hair that perfectly frame her face and create a border between her face and the background sand which are very similar in tone. If I would have tried this picture with Erika, my lighter hair daughter it probably wouldn’t have worked as well. For her I tend to do the opposite and have her against darker backgrounds (the grass, tree leaves, darker building, etc.)

The other thing I love about this picture is the angle of her head. Having it tilted in towards the center of the picture draws your eye into the picture, and having the negative space on the opposite side of her keeps your eyes in the picture. If there would have been something to her left (camera right) your eye would have followed that and left the picture. It also gives her a sense of being a little bit coy. Having her head straight up and down in this setting would have been too serious, and less playful. 

8.01.2009

My Little Baby Bird

A great photo shoot with Scott and my new basket. I think they turned out cute, but the fact that he was a bit too mobile posed a few problems. I could only get him to sit still if I put him in with his legs sticking up. The one with his little toes peaking out cracks me up. He was content for a while and then decided he would rather venture outside the basket to play in our barefoot grass. Scott outside basket 1 blogISO 100 f/2.8 ss 1/500

Scott outside basket 2 blogISO 100 f/2.8 ss 1/500

Scott outside basket 4 blog     ISO 100 f/2.8 ss 1/500

Scott outside basket 3 blog

ISO 100 f/2.8 ss 1/500Scott outside basket 5 blog

ISO 100 f/2.8 ss 1/500Scott outside basket 6 blog

ISO 100 f/2.8 ss 1/500

These were all taken on an overcast day between 12noon and 1pm. I was behind our trampoline, so I was having a difficult time getting a lot of light in his eyes. I tried a bit different post processing than I normally do, and I loved how it turned out. I used a soft light layer, and I love how it brought all the rich colors out of hiding. It appears now more like it really was in real life. These were all shot with my 35mm f 2.0 I am beginning to like that lens the more I use it.

6.02.2009

Green Eyed Beauty

Brooke re edit_cropped-1

ISO 400 f-stop 5.6 ss 1/80

I really love this picture of Brooke. I was using my zoom on this picture, which I really rarely use. The lowest f-stop it will go to at this distance (202mm) is 5.6. To get more light in I was forced to up my ISO and lower my shutter speeds.

This is a really low shutter speed for this length of lens. Usually whatever the length , 202mm in this case, the shutter speed should not go below a  shutter speed with a number close to that as the bottom number of the fraction of a second. 1/250 in this case would be the lowest I should have gone.  If it was my 50mm, not below 1/60. This helps with camera shake.

When I first started shooting in manual about 4 years ago, I couldn’t figure out why a lot of my pictures were not in sharp focus. I was sure I was focusing on the right places. When I finally understood about shutter speeds and camera shake it helped to improve my photography tremendously. I tend to have shaky hands sometimes, so I really have to watch my shutter speeds when I have long lens on my camera. The longer the lens the more noticeable even the slightest movement is. With my 50mm it’s a lot easier to stay steady, and at 1/80 I usually have no problem.

In this picture, it is sharp, but the eyes are just a teeny tiny bit soft. Not super noticeable , but it is most likely from the low shutter speeds. How do I know? If it was from a large aperture setting (smaller number, bigger aperture opening) than things farther away in the picture depth wise from her eyes, like her hair or the stroller would be blurred as well, like her knee sticking up is, and they aren’t. The stroller side to her right is quite in focus which tells me it is just from slower shutter speeds. Why just her eyes though? Because that is the one thing in the picture that was moving at all, from blinking. The camera couldn’t take the picture fast enough-only 1/80 of a second and so it wasn’t fast enough to catch her eyes completely still in this one.

When I am shooting  kids I try to not go below 1/125-1/250/ if they are moving around. This ensures that my shutter speeds will freeze any action there is.

Brooke and Erika jumping on bed

My shutter speed for this one was just 1/200 and it was enough to freeze them in mid air.

5.26.2009

Some Newborn Love

I am slow to edit pictures sometimes, as these were taken when Scott was just a few days old, and he is now almost six months old. I feel like I have learned a lot lately in Photoshop to have accurate  skin colors when I edit, so I am really glad I waited to get these done. I can’t wait to print them for his room! Scott asleep_edited-1 

ISO 100 f/2.2 ss 1/80

Look at that newborn fuzz on his back! He has grown up so fast and moved so far past this little newborn stage. Ah, to have those days back again. This one above was a good lesson for me is positioning someone to have a more dramatic lighting effect.  The light coming from the window camera right flows over him and gives such dimension to all his features. Compare it to the picture below, which I still love and is a great picture, but it has a more even overall lighting effect. Both great, just different, and can create two totally different moods.

Scott skin practice

ISO 200 f/2.2 ss 1/80

This picture I love. I took  a few in this series, and this one ended up being the best with his little hand peeking up over the top of the blanket. In the original I needed to underexposure it a bit to preserve the detail in the white blanket. If I would have exposed for the skin, the white blanket would have been so bright-just a white blob with no detail. In this one though, you can still see the little fibers of the blanket.

You can check for blown areas in Photoshop by going to Layer > New Adjustment Layer > Threshold. A box will come up, click okay. Your picture will turn all black and white and another box with a histogram graph in it will pop up. At the bottom of the graph is a little white arrow. If you drag it all the way to the right, the whole picture except for those areas that are blown will be black. If it’s all black, that’s good, no blown spots. If you drag it the other direction it will turn it all white, any black area left are spots of black with no detail in it. Again, if no black spots, that’s good. At the top of the graph you will see a box with a number 0-255. O being all black and 255 being completely white. For print it is usually best to be under 245 for the best printing. Meaning no white areas showing up above 245. This of course you’ll have to experiment with see what works best for you. The areas of most concern would be on faces and clothing. Backgrounds would depend on what you’re going for.

Content of the picture also matters though. In the first picture, there was a dark black spot in the shadows under his chin that showed that no detail was there. For me, it didn’t alter the picture at all to loose that detail. If anything it added to the 3-d look of the overall picture. If however, in the second picture his hair would have been all black with no detail in the individual hairs, it would have mattered. It would have made the picture look as if he had a dark hat on. This is a small picture, but bigger, you can still see detail in the black areas of his hair.

After you have checked for spots, just select cancel and your picture will return to normal. It’s a quick way to check for areas in question.

This is also a good way to check with newborn/baby  shots that are often taken on black backdrops/blankets to make sure the background it totally black and you haven’t missed any areas when photoshopping. This picture is one I took a few years ago that shows that.

Erika scale 6%

This was when I shot film, and I had to scan it in to convert it to a black and white. I didn’t know as much as I do now and had no idea how to tell if the background, which was pretty much all black to start out with, was completely black. It looked okay on my screen. I sent it to print, and when I got it back there was a spot in the upper right hand corner that you could see was not all the way black. I am glad now I know how to check those sort of things. Again content of the picture. In this case when I would have the histogram up and pull the arrow all the way to the left checking for blacks, I would want all my background area that I want black to show that.

This picture is another example of great dimensional lighting. It was natural light to the camera right, and since it was film, I don’t have the setting for it. My guess is it was  ISO 400 color film, f/between 3-5.6, no idea on ss.

5.19.2009

Big Beautiful Eyes

Abby outside game unsharp_filtered

ISO 400 f/2.0 ss 1/100

 

Just a fun shot of Abby. The eyes truly are the windows to the soul. This was shot with my 50mm 1.4 in natural light. It was outside around 8pm, as the sun was fading away. I always try to be above her when shooting and have her look up to me. It ensures that I get light in her eyes and great big catch lights.

4.23.2009

A New Favorite

  
ISO 400 f2 ss 1/125

Abby holding Scott blog_edited-3_filteredThis was one from our vacation that I fell in love with. I love the interaction between these two.
I shot it with my new 35mm f2.0 that I got a couple months ago. I am still deciding whether or not I like that lens or should have held out for a different zoom. It was natural light from a big window to my left.

3.02.2009

Hide and Seek



Abby behind door
ISO 100 F 1.4 ss 1/80
Whenever Abby doesn't want to do something she goes and hides behind her door. This time made for a cute photo opp. Natural light directly behind me about 7ft away.